I had the opportunity to write an article for Women Writers, Women’s Book. The site was launched in 2011 to be another platform for contemporary women writers and authors around the world writing in English. Its mission is to encourage and promote the visibility of women writers. We are particularly interested in the edges, the intersections between genres, nationalities, languages, arts, cultures.
Barbara Bos is the managing editor and owner of Women Writers, Women’s Books. With sections such as, writing, interviews, recommended reads, agent’s corner, submissions, library 2021, author genie, hybrid publishing, and ask BLIX, Barbara has lovingly and judiciously curated a site that both supports and encourages women writers.
Barbara was born in Holland. After finishing University she left for the UK. Since then she has uprooted herself twice more, currently living with her family in a small village in Galicia, North-West Spain.
Like many other women who are north of forty-five and fifty-plus, I rejoiced when I heard Sex and the City was coming back to television. I think many women identified with the characters as they pursued careers and other life goals as women in their thirties. The first Sex and The City movie took fans across the bridge to their forties and fifty with Carrie, Miranda, Charlotte, and Samantha. The second iteration, while fun, seemed to lose the thread of realism that drew fans like me to the television series. Now, you might wonder what was real about a fashion and designer shoe-obsessed freelance writer living in a posh apartment in Manhattan. Honestly, nothing. What mattered is Carrie was living in a way most of us could only dream of, and we were invested in her story.
And Just Like That represents the same hopes and dreams of Late Boomer, Gen-X, and Xennial women, who are in their late forties and fifties. The very fact that HBO is bringing the show back and they are not pandering to a younger demographic. Seeing Carrie and Miranda with grey in their hair was liberating on so many levels, and it flies in the face of our youth-driven culture. It’s also a beacon of hope a medium where one wouldn’t ageism applied, books.
Chick-lit was the now lambasted genre that brought us Sex and the City as a book. Chick lit was considered lighthearted fiction with a twenty-something or thirty-something heroine dealing with her professional, work, and emotional life. However, once the plot revolves around a character that is north of forty or fifty-plus, everything changes about publishing that book. A hot romance between fifty-somethings is deemed ‘seasoned romance’, which sounds more like a cookbook category. On the other end of the spectrum, is the idea that any book about a woman over forty has to be some kind of emotional journey. Both And Just Like That, and Sex and the City prove that stories centered around women as we age emotionally and chronologically aren’t an all-or-nothing deal. Aging happens gradually, and it’s about time that all media realizes it can be approached in a nuanced way. To bring this back to this not-so-flattering comparison being made with the Golden Girls, it would behoove us to note, that the show changed the way we looked at women in their fifties. No one ever thought of their grandmothers or mothers as vital, sexually progressive women like Dorothy, Blanche, Rose, and Sophia. The characters helped to liberate generations of women, even if we didn’t know it at the time.
Tune in to listen and let us know what you think about all the fuss over Carrie and Miranda’s grey hair, and let us know think will happen for your favorite characters the fabulous ladies.